Rachel Rubinstein
Paper - 9780814334348
Price: $27.95s
Subjects: Jewish Studies
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Published by Wayne State University Press
Rachel Rubinstein is an assistant professor of American literature and Jewish studies at Hampshire College in Amherst, Massachusetts. She serves on the editorial board of Prooftexts: A Journal of Jewish Literary History and most recently co-edited Arguing the Modern Jewish Canon: Essays on Literature and Culture in Honor of Ruth R. Wisse.
“Rubinstein’s work makes an invaluable contribution to both Jewish and American studies, making a striking argument for the role of both Native Americans and Jews in what she calls ‘literary nation-building’ And, by illuminating the unique role of Native Americans in the Jewish imagination, Rubinstein provides her readers with an extraordinary account of how modern Jews have negotiated between tribal ‘blood-longings’ and secular Enlightenment values. This remarkable book is a must-read for those interested in transethnic criticism and the Jewish encounter with modernity.”
— H-Net: Humanities and Social Sciences Online
“It is a delight to read the informed discussions here of such relatively unfamiliar works as Sforim’s Brief Travels of Benjamin the Third, The Narrative of Antonio de Montezinos, Carvalho’s Incidents of Travel and Adventure in the Far West, and the important early-nineteenth-century writings by Mordechai Manuel Noah along with more familiar works by Nathaneal West, Henry Roth, Bernard Malamud, Waldo Frank, Leslie Fiedler, and Arnold Kupat. To have all these writers together in a single volume testifies to the richness of the theme of native America in the Jewish imagination.”
— Alan Trachtenberg, Neil J. Gray Jr. Professor Emeritus of English and American Studies at Yale University
“This volume occupies a much needed space in the available literature about Jewish identifications with ‘America.’ As Rubinstein powerfully argues, Jews could be Indians or cowboys; Indians could be seen as Jew-haters or fellow objects of persecution; all positions might slip into one another and back again.”
— Jonathan Freedman, professor of English and American culture at the University of Michigan