Transnational Cinema in a Global North: Nordic Cinema in Transition
Edited by Andrew Nestingen and Trevor Glen Elkington
Contemporary Approaches to Film and Television Series
Contents
- List of Figures
- Acknowledgements
- Introduction
- Andrew Nestingen and Trevor G. Elkington
- Part I: Trends in Transitional Nordic Cinema
- 1. Costumes, Children, and Dogma: Nordic Film and American Distribution
- Trevor G. Elkington
- 2. “Immigrant Film” in Sweden at the Millennium
- Rochelle Wright
- 3. Film According to Dogma: Ground Rules, Obstacles, and Liberations
- Peter Schepelern
- Part II: The State and Film Markets in Transnational Times
- 4. The Danish Way: Danish Film Culture in a European and Global Perspective
- Ib Bondebjerg
- 5. Breaking the Borders: Danish Co-productions in the 1990s
- Pil Gundelach Brandstrup and Eva Novrup Redvall
- 6. Art or Industry? Battles over Finnish Cinema during the 1990s
- Mervi Pantti
- 7. From Epiphanic Culture to Circulation: The Dynamics of Globalization in Nordic Cinema
- Mette Hjort
- Part III: Auteurism and Genre in Transnational Context
- 8. Globalization and the Auteur: Ingmar Bergman Projected Internationally
- Linda Haverty Rugg
- 9. “I’m a Lumberjack and I’m Okay”: Popular Film as Collective Therapy in Markku Pölönen’s A Summer by the River
- Thomas A. DuBois
- 10. Learning From Genre: Genre Cycles in Modern Norwegian Cinema
- Gunnar Iversen
- 11. Aki Kaurismäki’s Crossroads: National Cinema and the Road Movie
- Andrew Nestingen
- 12. In and Out of Reykjavik: Framing Iceland in the Global Daze
- Birgir Thor Møller
- 13. Hrafn Gunnlaugsson—The Viking Who Came in from the Cold?
- Bjørn Sørenssen