And Rachel Stole the Idols: The Emergence of Modern Hebrew Women’s Writing
Wendy I. Zierler
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Contents
- Acknowledgments
- A Note on Translation and Transliteration
- Introduction
- Stealing the Idols of Hebrew Literary Culture
- The Emergence of Feminist Hebrew Literary Studies
- 1. A History of Jewish Women’s Writing
- The Haskalah Poetry of Rachel Morpurgo
- Hebrew Women Writers of the Russian Haskalah: Sarah Feige Meinkin Foner and Hava Shapiro
- Border-Crossings: Hebrew Women Writers in the Promised Land
- Anxieties of Authorship: The Example of Yokheved Bat-Miriam
- 2. “Hidden Flames”: Hebrew Women Poets and the Search for Foremothers
- The World According to Eve
- Matriarchal Voices: Rachel as Biblical Namesake
- Deborah: Political and Poetic Precursor
- Resurrecting Miriam
- Hannah’s Prayer, Hannah’s Poetry
- Suppressed Voices: Hagar as Poetic Foremother
- Multicultural Voices: Leah Goldberg’s “Ahavatah shel Teresa de Meun”
- 3. My Mother, My Land: Female Personifications of the Land of Israel in Hebrew Women’s Poetry
- The Poet and the Motherland: Rachel’s Poetic “Aftergrowth”
- The Androgynous Vision of Esther Raab
- Yokheved Bat-Miriam’s Erets Yisra’el
- 4. Barrenness, Babies, and Books: The Barren Woman in Hebrew Women’s Writing
- Devorah Baron’s “Mishpahah”
- Rachel Bluwstein’s “‘Akarah”
- Anda Pinkerfeld-Amir’s “‘Akarah”
- Nehamah Puhachevsky’s “Asonah shel Afyah”
- 5. “In What World?”: Transgressed Boundaries and Female Community in Early Hebrew Women’s Fiction
- “Wasn’t Rachel a Shepherdess?”: Sarah Feige Meinkin Foner’s Transgressive Passages
- Hava Shapiro’s Clipped Wings
- Exile and Community in the Fiction of Devorah Baron
- 6. The Rabbi’s Daughter in and out of the Kitchen: Feminist Literary Negotiations
- Pots, Pans, and Poetry: Rachel Morpurgo’s “Anaseh akh hapa‘am”
- Baking Memories: Baron’s “Mah shehayah”
- Zelda’s “Hedra shel ima hu’ar”
- Afterword
- Appendix: Erets Yisra’el, by Yokheved Bat-Miriam
- Notes
- Biographies of Poets and Writers
- Index